When I first began my journey into botanical art I focused on the traditional approach of painting flowers and plants, which requires the artist to pay attention to accuracy of form, colour and detail in order to create life-like, botanically accurate images. Composition and design are also taken into consideration, so that the overall effect is pleasing to the eye, however botanical accuracy is key. I enjoy the close attention to detail very much, however it can be somewhat constraining in terms of creativity and expression and I have found myself, more recently, exploring the idea of how a more decorative and stylised approach can be developed in botanical art, whilst still adhering to the botanical principles of accuracy in representation.
In terms of botanical subject matter I am taking inspiration from the many native hedgerow plants that can be seen throughout the local countryside such as Hawthorn, Honeysuckle, Bramble, Common Nettle and the very beautiful Guelder Rose. I have observed how, growing so closely together, their leaves and stems create a beautiful tracery effect with intricate line patterns and designs. I am also intrigued by how the darkness of the hedge provides the perfect backdrop for spring and summer flowers and autumn fruits, giving them a bright, jewel-like quality that serves to enhance and highlight their beauty. It is these themes that I have chosen to explore in my latest paintings, which attempt to articulate the intricacy and tapestry-like effect of hedgerow plants in their natural habitat, whilst at the same time providing the viewer with all the detail to be found in a traditional botanical illustration.
Gathering specimens and recording visual information for paintings is very important. Luckily Autumn fruits like hips and sloes can last for a few days if brought indoors but it is still crucial to make quick studies of all the important parts. These little studies are extremely helpful when it comes to working on the actual paintings.
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